Donald Judd by Nicholas Serota, Rudi Fuchs, Richard Shiff, David Batchelor,
David Raskin, Donald Judd, Marianne Stockebrand, Jeffrey Kopie (D.A.P./Tate) (Paperback)
Hardcover, 9.5 x 12.25 in./288 pgs / 100 color and 30 b & w. One of the most
influential American artists`of the post-war period, Donald Judd changed the
course of modern sculpture. Beginning as an art critic and then a painter, Judd
moved into three dimensions with the box-like structures he produced in the
early 1960s, either arranged on the gallery floor or mounted on the wall.
Initially constructed by hand, the sculptures were later industrially
manufactured in galvanized iron, steel, plexiglass, and plywood. His use of
vibrant color, polished and reflective metals, and brightly hued lacquer
confounded and continues to confound expectations of what "minimalist" sculpture
should look like.
This lavishly illustrated survey features 41 works from collections around the world, many of them large scale, each illustrated with full catalogue entries alongside many other major works by Judd. Contributors Nicholas Serota (Director of the Tate), Rudi Fuchs (former Director of The Stedelijk Museum, Amsterdam), American critics Richard Schiff and David Raskin, and British artist and critic David Batchelor explore the conflicts between previous critical interpretations of Judd and his own philosophical,`political, and moral understanding of his work. Judd's critical response to the work of other artists is examined, as is the importance of color to his work, and his reaction to new man-made materials and artificially generated color in the late-20th-century environment. A section on Judd's installations at Marfa in Texas, and an extensive new chronology, compiled by Judd's assistant, Jeff Kopie, are also included. Donald Judd compromises the most thorough and up-to-date publication on Judd in print today.
Essays by Rudi Fuchs, David Batchelor, John Jervis, Richard Schiff, Nicholas Serota and David Raskin.
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